This collection is an experiment with large forms, where the ceramic surface becomes a canvas for expressive glaze work. In the search for a pure, minimalist form that retains expressiveness in its simplicity, I explore the boundary between controlled abstraction and raw roughness. The form here acts as a blank canvas, where spontaneous interactions of color, texture, and gesture take place. Sharp, unrefined edges, as if carved from rock, emphasize the primal nature of the material.